Friday, April 3, 2009

Cinematic reappropriation's

Guy Maddin's Time-Machine Filmography
Bimbo's Initiation (Dave Fleischer, 1931)
Whoopee! (Thornton Freeland, 1930)
Blonde Venus (Josef von Sternberg, 1932)
Liliom (Fritz Lang, 1934)
Midnight (Mitchell Leisen, 1939)
Johnny Apollo (Henry Hathaway, 1940)
Random Harvest (Mervyn LeRoy, 1942)
Reap the Wild Wind (Cecil B. DeMille, 1942)
The Curse of the Cat People (Gunther von Fritsch & Robert Wise, 1944)
Love Letters (William Dieterle, 1945)
Strange Illusion (Edgar G. Ulmer, 1945)
The Strange Affair of Uncle Harry (Robert Siodmak, 1945)
Caught (Max Ophüls, 1949)
Moonrise (Frank Borzage, 1949)
Night and the City (Jules Dassin, 1950)
El (This Strange Passion) (Luis Buñuel, 1952)
On Dangerous Ground (Nicholas Ray, 1952)
Wuthering Heights (William Wyler, 1939)
The Egyptian (Michael Curtiz, 1954)
The Devil's Cleavage (George Kuchar, 1975)
Rehearsals for Extinct Anatomies (Stephen Quay & Timothy Quay, 1988)
Home Stories (Matthias Müller & Dirk Schaefer, 1990)

Caelum Vatnsdal, Kino Delirium: The Films of Guy Maddin, Arbeiter Ring Publishing, Winnipeg, 2000, pp. 130

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